S&C’s critic and reporter Emily Priest visits a new addition to Portsmouth’s café scene, as it works to overcome the controversy and politics that saw its previous operators infamously evicted. Back in February this year, Portsmouth [… read more ]
Emily Priest reviews the first Special Collections event at the University of Portsmouth Library and finds a treasure trove of local history and culture that many local residents have yet to discover. On the 25th [… read more ]
The University of Portsmouth is opening the doors to its Special Collections in a unique and free community event to celebrate the University’s 25th birthday. The University of Portsmouth Library is hosting a free event [… read more ]
Inspired by Dadaism, Jazz LP cover designs and the fiction of JG Ballard, Samuel H James (higgy_) talks us through some of his surrealistic ‘digi-collages’. ‘Cogs & Flues, Ostrich’ This piece has a vibrant [… read more ]
‘Ours is a useful trade, a worthy calling. With all its lightness and frivolity, it has one serious purpose, one aim, one speciality, and it is constant to it: the deriding of shams, the exposure [… read more ]
By John Pearson On used scraps of board, paint brush strokes made their mark – the silent aftermath of a city scarred, blitzed, battered and burned; rubble piled high in streets, glass splinters, heaps [… read more ]
Portsmouth-based artist Jeannie Driver writes about her latest exhibition, Ash Steps, showing at the Bank Space Gallery, London. Ash Steps was made in response to the context and architectural features of the Bank Space Gallery [… read more ]
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